main page Inside Britney Spears’ Glory-ous return! #Glory

[gimmework]

The Making of Glory is featured in the upcoming issue of Entertainment Weekly Magazine!!!! Read what all of her collaborators and producers have to say about her and about making this AWESOME ALBUM!! The Issue is on stands Aug 12th.. Here is a preview of the article they just posted on their website!!!  It's pretty awesome!! 

 

GEEEEETTT THAT PROMO TEAM B!!! LOVING IT!!!! 

 

WHAT DO YOU GUY THINK ABOUT THE ARTICLE??? 

 

http://www.ew.com/article/2016/08/11/britney-spears-glory-inside-making

 

 

ARTICLE READS:

 

 

Get ready to see a new side of Britney Spears when she drops Gloryon Aug. 26. Instead of the usual weapons-grade club-bangers she’s known for, Spears is opting for slinky, mid-tempo numbers like “Make Me…” and “Private Show” that those in the know say truly reflect her artistic tastes. Here’s how the album came together—and for more on Spears’ Glory, pick up the new issue of Entertainment Weekly, on newsstands Aug. 12 or buy it here.

“Make Me…” set the tone of the album

Spears has been recording new music as far back as 2014, but Glorydidn’t really take shape until last fall, when she teamed up with British producer Burns for “Make Me…,” the lead single from the album. “This song was the first record that she cut for the album,” Burns says. “This is what shaped the sound of the rest of the record as far as I know. [Her team was] looking for something completely different from what she normally does.”

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Everything we know about Britney Spears' new album 'Glory'

The title was inspired by Spears’ confidence in the material

The release of Glory ends the second-longest gap between albums in Spears’ career. Following 2013’s underwhelming Britney Jean, Spears took her time to make sure her next project felt right. “She feels like it’s her in all her glory,” says Tom Corson, president and COO of Spears’ label, RCA Records. “It’s a body of work she can stand behind. It’s a bold title, and it reflects her feelings about the record.”

She worked with a lot of people

Spears’ last few albums have kept her pool of collaborators relatively small. Britney Jean saw her work closely with will.i.am, while 2011’sFemme Fatale was steered by Dr. Luke and Max Martin. This time, in pursuit of a more hip-hop and R&B-oriented sound, Spears explored her options. “She was open and didn’t set any boundaries,” says a source close to the project. “This album is diverse and fresh and is a reflection of Britney’s versatile taste in music.”

Here are some of the artists and songwriters who contributed to theGlory sessions:

Burns: The British producer has previously worked on tracks for Kelis and Ellie Goulding. “She’s such a legend,” he says of working with Spears. “It wasn’t like I had to direct as much as normal.”

DJ Mustard: In an interview last year, the beatsmith behind Rihanna’s “Needed Me” and Big Sean’s “I Don’t F—k With You” said the material he worked on with Spears was “harder than hard.”

Nick Monson: He got his big break co-producing several tracks on Lady Gaga’s 2013 album, ARTPOP. His credits also include songs for Little Mix (“OMG”), Selena Gomez (“Good for You”), and Nick Jonas (“Numb” featuring Angel Haze).

Justin Tranter and Julia Michaels: This pair became the hottest songwriting duo in pop after writing hits for Justin Bieber (“Sorry”) and Selena Gomez (“Good For You”). In an interview with Billboard earlier this year, Tranter said, “Her voice is just so special, yeah, and she’s a very underrated writer. That girl’s melodies!”

Phoebe Ryan: This rising talent caught the internet’s attention last year with a mash-up of R. Kelly’s “Ignition (Remix)” and Miguel’s “Do You…” After releasing songs like “Chronic” and “Dollar Bill” in 2016, she’s working on a solo album, but she’s also written for Bea Miller and Melanie Martinez.

Chantal Kreviazuk: Outside of her solo career, the Canadian singer-songwriter has written extensively for Avril Lavigne (co-writing much of Under My Skin) and Kelly Clarkson (on Breakaway and My December). She also once co-produced a Drake song, “Over My Dead Body,” from 2011.

Oscar Gorres from the Wolf Cousins: The Wolf Cousins, a songwriting and production team that works closely with superstar Swedes Max Martin and Shellback, also includes Tove Lo. Gorres has written for Hilary Duff (“One in a Million”), Cher Lloyd (“I Wish”), Maroon 5 (“Feelings”), and others.

Mattman & Robin: Another hit Swedish production group. You can thank these two for helping make Carly Rae Jepsen’s EMOTION a masterpiece. They’ve more recently worked on tracks for Selena Gomez (“Hands to Myself”), Gwen Stefani (“Make Me Like You”), Hailee Steinfeld (“Love Myself”), and Nick Jonas (“Close”).

Jason Evigan: He’s worked closely with Demi Lovato (“Heart Attack,” “Old Ways”) and Nick Jonas (“Chains,” “Champagne Problems”) on a few of their albums. He’s also worked on several songs for Fifth Harmony (from their Better Together EP) and Madonna (from herRebel Heart album.)

Ian Kirkpatrick: Known for his work with Jason Derulo (“Want to Want Me,” “If It Ain’t Love”), he’s worked with a diverse mix of artists including Plain White T’s, Chris Brown, Hilary Duff, Justin Bieber (“Purpose”), and Nick Jonas (“Levels”).

YoungFyre: Producer Tramaine Winfrey is just getting a taste of the pop world as the producer of Britney Spears’ new song “Private Show”: most of his credits for hip-hop artists like T-Pain and Lil Wayne.

Joe Janiak: He’s one of the co-writers on the lead Glory single “Make Me…,” but he’s also worked on tracks with Ellie Goulding (“Around U” from Delirium) and Adam Lambert (a handful of songs from last year’sThe Original High, including the title track).

BloodPop: He worked on several songs on Justin Bieber’s Purposealbum, including the smash “Sorry.” He and Grimes also teamed up for “Go,” a one-off banger from 2014 that was originally written for Rihanna.

Cashmere Cat: As a featured artist, this Norwegian DJ-producer has guested on songs by Ariana Grande and Ludacris. He’s produced tracks for Charli XCX, Tinashe, Ryn Weaver, and Kanye West (he was one of several co-producers/writers on “Wolves” featuring Sia and Vic Mensa).

Robopop: Like many on this list, Robopop a.k.a. Daniel Omelio has also worked with Nick Jonas. He broke out as a producer on Lana Del Rey’s “Video Games” and went on to write for Marina and the Diamonds, Maroon 5 (“Payphone”), Kesha, and JoJo.

Warren “Oak” Felder: One half of the production duo Pop & Oak, he’s worked with Nicki Minaj (during the Pink Friday era), Miguel (onKaleidoscope Dream and Wildheart), and Alessia Cara (including her hit “Here”). He co-produced Spears’ new song “Clumsy” with Alex Nice.

Carla Williams: This British songwriter is slowly making her way through the list of pop royalty: before working with Spears on “Private Show,” she co-wrote Beyoncé’s “Freedom” as well as several songs for Girls Aloud, including “The Promise.”

[JoshLee]

This album is gonna be amazing  

[gimmework]

5 minutes ago, JoshLee said:

This album is gonna be amazing  

 

IKR!! I love all these ppl that went into making this GLORIOUS record!!!  Also I can't wait to read the full article when it comes out tomorrow!!! 

[rockmein]

SLAY! That's a good article! 

[Caroline77]

Didn't she say in the recent radio interview that she worked with just a few people like 4 or 5 only  . Or was she just talking about writers maybe? (or i dreamed the whole thing)

[Caroline77]

Also Danja is not mentioned 

[gimmework]

3 minutes ago, Caroline77 said:

Didn't she say in the recent radio interview that she worked with just a few people like 4 or 5 only  . Or was she just talking about writers maybe? (or i dreamed the whole thing)

 

HAHA right?! I'll bet she just meant writers or maybe she was confused 

2 minutes ago, Caroline77 said:

Also Danja is not mentioned 

 

I'll bet he's not on it  Or maybe they'll mention him when the full article comes out in tomorrow's issue.. 

[gimmework]

I wonder if we'll get any new Glory promo pics tomorrow when the full article comes out???! 

[3isacharm]

I like that we finally know what's behind the title 

[I_need_me]

Spears has been recording new music as far back as 2014, but Glory didn’t really take shape until last fall, when she teamed up with British producer Burns for “Make Me…,” the lead single from the album. “This song was the first record that she cut for the album,” Burns says. “This is what shaped the sound of the rest of the record as far as I know. [Her team was] looking for something completely different from what she normally does.”

 

I think this basically confirms the theory that after Pretty Girls flopped they decided to change the direction of the album and maybe even scrap what they had prepared so far! I've always thought that if it had done better than it did we would've gotten a second single followed by an album announcement by the end of the year, but thankfully it didn't happen, imagine an album full of Petty Gorlz  

[DeniseBryson]

I love it.

 

Britney working with people that worked with Grimes.

 

I can basically lie back now because my body is ready...

 

[DeniseBryson]

 

OMG the talent involved in "Clumslay" makes me understand why its such a bop.

 

Wow. Britney. Wow.

 

Spreading those those artistic wings as far as I spread my legs when "Clumslay" comes on in my playlist on Itunes

 

[Ariana Grande]

13 minutes ago, I_need_me said:

Spears has been recording new music as far back as 2014, but Glory didn’t really take shape until last fall, when she teamed up with British producer Burns for “Make Me…,” the lead single from the album. “This song was the first record that she cut for the album,” Burns says. “This is what shaped the sound of the rest of the record as far as I know. [Her team was] looking for something completely different from what she normally does.”

 

I think this basically confirms the theory that after Pretty Girls flopped they decided to change the direction of the album and maybe even scrap what they had prepared so far! I've always thought that if it had done better than it did we would've gotten a second single followed by an album announcement by the end of the year, but thankfully it didn't happen, imagine an album full of Petty Gorlz  

 

Thank God it flopped!  

This album is shapping up to be her best since Blackout  

[DeniseBryson]

Just now, Ariana Grande said:

 

Thank God it flopped!  

This album is shapping up to be her best since Blackout  

 

And if every song is on the same level or better than what we've heard it could be her best release yet

 

My ass is already broken from grinding to "Clumslay" all day

 

[I_need_me]

1 minute ago, Ariana Grande said:

 

Thank God it flopped!  

This album is shapping up to be her best since Blackout  

Pretty God killed herself jumping from the cliff of the Billboard Hot 100 in order for us to recieve the album we deserve, what a hero, I'll never forget her sacrifice  

[Ariana Grande]

2 minutes ago, Universe>Exhale said:

 

And if every song is on the same level or better than what we've heard it could be her best release yet

 

My ass is already broken from grinding to "Clumslay" all day

 

I'm so ready 

[BLACKOUTBRlT]

[Ariana Grande]

8 minutes ago, I_need_me said:

Pretty God killed herself jumping from the cliff of the Billboard Hot 100 in order for us to recieve the album we deserve, what a hero, I'll never forget her sacrifice  

Such a flawfullless martyr  

[DeniseBryson]

9 minutes ago, I_need_me said:

Pretty God killed herself jumping from the cliff of the Billboard Hot 100 in order for us to recieve the album we deserve, what a hero, I'll never forget her sacrifice  

 

Thelmiggy and Britouise

 

 

[BLACKOUTBRlT]

[HannahLou]

It's going to be a good era! 

[News]

Entertainment weekly got the inside scoop of why Britney chose the name “Glory” for her upcoming album and also a list of artist she worked on the album with. Check out the segment below:

Get ready to see a new side of Britney Spears when she drops Glory on Aug. 26. Instead of the usual weapons-grade club-bangers she’s known for, Spears is opting for slinky, mid-tempo numbers like “Make Me…” and “Private Show” that those in the know say truly reflect her artistic tastes. Here’s how the album came together—and for more on Spears’ Glory, pick up the new issue of Entertainment Weekly, on newsstands Aug. 12 or buy it here.

“Make Me…” set the tone of the album
Spears has been recording new music as far back as 2014, but Glory didn’t really take shape until last fall, when she teamed up with British producer Burns for “Make Me…,” the lead single from the album. “This song was the first record that she cut for the album,” Burns says. “This is what shaped the sound of the rest of the record as far as I know. [Her team was] looking for something completely different from what she normally does.”

The title was inspired by Spears’ confidence in the material
The release of Glory ends the second-longest gap between albums in Spears’ career. Following 2013’s underwhelming Britney Jean, Spears took her time to make sure her next project felt right. “She feels like it’s her in all her glory,” says Tom Corson, president and COO of Spears’ label, RCA Records. “It’s a body of work she can stand behind. It’s a bold title, and it reflects her feelings about the record.”

She worked with a lot of people
Spears’ last few albums have kept her pool of collaborators relatively small. Britney Jean saw her work closely with will.i.am, while 2011’s Femme Fatale was steered by Dr. Luke and Max Martin. This time, in pursuit of a more hip-hop and R&B-oriented sound, Spears explored her options. “She was open and didn’t set any boundaries,” says a source close to the project. “This album is diverse and fresh and is a reflection of Britney’s versatile taste in music.”

Here are some of the artists and songwriters who contributed to the Glory sessions:

Burns: The British producer has previously worked on tracks for Kelis and Ellie Goulding. “She’s such a legend,” he says of working with Spears. “It wasn’t like I had to direct as much as normal.”

DJ Mustard: In an interview last year, the beatsmith behind Rihanna’s “Needed Me” and Big Sean’s “I Don’t F—k With You” said the material he worked on with Spears was “harder than hard.”

Nick Monson: He got his big break co-producing several tracks on Lady Gaga’s 2013 album, ARTPOP. His credits also include songs for Little Mix (“OMG”), Selena Gomez (“Good for You”), and Nick Jonas (“Numb” featuring Angel Haze).

Justin Tranter and Julia Michaels: This pair became the hottest songwriting duo in pop after writing hits for Justin Bieber (“Sorry”) and Selena Gomez (“Good For You”). In an interview with Billboard earlier this year, Tranter said, “Her voice is just so special, yeah, and she’s a very underrated writer. That girl’s melodies!”

Phoebe Ryan: This rising talent caught the internet’s attention last year with a mash-up of R. Kelly’s “Ignition (Remix)” and Miguel’s “Do You…” After releasing songs like “Chronic” and “Dollar Bill” in 2016, she’s working on a solo album, but she’s also written for Bea Miller and Melanie Martinez.

Chantal Kreviazuk: Outside of her solo career, the Canadian singer-songwriter has written extensively for Avril Lavigne (co-writing much of Under My Skin) and Kelly Clarkson (on Breakaway and My December). She also once co-produced a Drake song, “Over My Dead Body,” from 2011.

Oscar Gorres from the Wolf Cousins: The Wolf Cousins, a songwriting and production team that works closely with superstar Swedes Max Martin and Shellback, also includes Tove Lo. Gorres has written for Hilary Duff (“One in a Million”), Cher Lloyd (“I Wish”), Maroon 5 (“Feelings”), and others.

Mattman & Robin: Another hit Swedish production group. You can thank these two for helping make Carly Rae Jepsen’s EMOTION a masterpiece. They’ve more recently worked on tracks for Selena Gomez (“Hands to Myself”), Gwen Stefani (“Make Me Like You”), Hailee Steinfeld (“Love Myself”), and Nick Jonas (“Close”).

Jason Evigan: He’s worked closely with Demi Lovato (“Heart Attack,” “Old Ways”) and Nick Jonas (“Chains,” “Champagne Problems”) on a few of their albums. He’s also worked on several songs for Fifth Harmony (from their Better Together EP) and Madonna (from her Rebel Heart album.)

Ian Kirkpatrick: Known for his work with Jason Derulo (“Want to Want Me,” “If It Ain’t Love”), he’s worked with a diverse mix of artists including Plain White T’s, Chris Brown, Hilary Duff, Justin Bieber (“Purpose”), and Nick Jonas (“Levels”).

YoungFyre: Producer Tramaine Winfrey is just getting a taste of the pop world as the producer of Britney Spears’ new song “Private Show”: most of his credits for hip-hop artists like T-Pain and Lil Wayne.

Joe Janiak: He’s one of the co-writers on the lead Glory single “Make Me…,” but he’s also worked on tracks with Ellie Goulding (“Around U” from Delirium) and Adam Lambert (a handful of songs from last year’s The Original High, including the title track).

BloodPop: He worked on several songs on Justin Bieber’s Purpose album, including the smash “Sorry.” He and Grimes also teamed up for “Go,” a one-off banger from 2014 that was originally written for Rihanna.

Cashmere Cat: As a featured artist, this Norwegian DJ-producer has guested on songs by Ariana Grande and Ludacris. He’s produced tracks for Charli XCX, Tinashe, Ryn Weaver, and Kanye West (he was one of several co-producers/writers on “Wolves” featuring Sia and Vic Mensa).

Robopop: Like many on this list, Robopop a.k.a. Daniel Omelio has also worked with Nick Jonas. He broke out as a producer on Lana Del Rey’s “Video Games” and went on to write for Marina and the Diamonds, Maroon 5 (“Payphone”), Kesha, and JoJo.

Warren “Oak” Felder: One half of the production duo Pop & Oak, he’s worked with Nicki Minaj (during the Pink Friday era), Miguel (on Kaleidoscope Dream and Wildheart), and Alessia Cara (including her hit “Here”). He co-produced Spears’ new song “Clumsy” with Alex Nice.

Carla Williams: This British songwriter is slowly making her way through the list of pop royalty: before working with Spears on “Private Show,” she co-wrote Beyoncé’s “Freedom” as well as several songs for Girls Aloud, including “The Promise.”

Source

View the full article

[Mr.Photographer]

Bitch, Glory is really about to complete the Holy Trinity!!! ITZ,Blackout, Glory

So different and experimental

 

its gonna completely embody ITZ since she's been following her albums post breakdown 

 

Circus is BOMT- Sweet sounding and classic pop

Femme Fatale is Oops- Edgier pop a step up from the last more sassier

Britney Jean is a missed attempt at SelfTitled- Supposedly more intimate, it's self titled and personal ( I honestly think a FF re-release w/ a new single should have happene)

and Glory is In The Zone- Experinemtal, sexy, moody, more nodding toward urban, more adult than the last

 

The cycle is perfect you know what that means right.....B10 is Blackout and I think she should release B10 when her Vegas residency is over and do a tour it'll be 19-20 years since her debut 20 years in the industry Britney holy moly!!!!

 

anywayssssss

 

love how this album and the name represents BRITNEY in all her glory I can't wait, 2 more weeks !!!!

[BLACKOUTBRlT]

Glory is such a new and important step in the right direction. I love the sound. It's a break from the EDM of Britney Jean & generic pop of Femme Fatale.

[gimmework]

15 hours ago, I_need_me said:

Pretty God killed herself jumping from the cliff of the Billboard Hot 100 in order for us to recieve the album we deserve, what a hero, I'll never forget her sacrifice  

OMG