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After Minaj was announced as the opening act in April 2011, she said on Ryan Seacrest's radio show she was looking forward to creating "a new, a bigger, a brighter, a more spectacular show." She stated that as much as her set was about the music, she wanted to put more theater on stage, saying, "my goal [is] to truly put on a show and incorporate theater and dance."The hair and make-up was done by Marco Berardini, who was inspired by European women such as Brigitte Bardot. "It's the epitome of a strong woman. I wanted to bring out that strength and sexiness for all the girls on tour", he said. He applied Spears with makeup and designed it to "be a little bit neutral so that it could work with anything." As for the hair, it was changed at every show to fit the vibe of the city. For example, at the Uniondale show on August 2, 2011, Spears sported wavy hair, inspired by Sarah Jessica Parker and the street style of New York women.

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BuzzFeed reported that 23 18-wheeler trucks arrived at each venue at 5 a.m. on show day. It took 7 hours to unload and build the stage. Unlike most tours who built the stage from the bottom up, the stage was built from the ceiling down. The tour comprised 140 workers, 125 crew members, 14 tour buses, 16 dancers and 2 band members. In July 2011, Spears told MTV News she was having "a blast" on the tour, commenting, "The shows have been equally amazing. The crowds have been so good each night and that gives you the adrenaline you need to get through the show. It just pumps you up."She also talked about the performance of "Till the World Ends", saying that "at the end of the show, the last song [Minaj] comes on every once in awhile [sic]. Not every show, but it's usually special when she does it." In an interview with Glamour in October 2011, Spears said: "I seriously think it's the best tour I've done so far. [...] right now I’m really excited about the show â€“ this is the funnest show I've done in my career.’’

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After a neon sign reading "Femme Fatale" is lifted from the stage, the show begins with a video introduction in which Spears is arrested by the police after a chasing sequence. As she says "I'm not that innocent", the video screens part and she appears sitting on a metallic throne in a silver costume to perform "Hold It Against Me". She is accompanied by her back-up dancers in white and silver costumes. "Up N' Down" features Spears and her female dancers performing inside cages, with the male dancers looking at them dressed as policemen. After walking to the B-stage in a conveyor belt, Spears puts on a white trench coat and a satin fedora to perform "3". She then goes into "Piece of Me" while floating above the stage in a platform. This is followed by a video intermission that contains the beginning of the music video for "My Prerogative", and in which a stalker reveals that Spears is a secret agent. The next section begins with Spears in a pink latex and lace jacket emerging from inside a bass to perform "Big Fat Bass", while will.i.am appears in the backdrops. She removes the jacket to reveal a nude leotard for the performance of "How I Roll", which features a pink convertible Mini Cooper-like car and her dancers wearing colorful outfits. This is followed by a segment in which Spears and her dancers select a male member from the audience. She then bursts into "Lace and Leather" and performs sensually for him. After a costume change, Spears goes into the song "If U Seek Amy" while wearing a white skirt over a fan, recalling Marilyn Monroe's iconic scene in The Seven Year Itch (1955).

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A video interlude in which the stalker talks about femme fatales in history sees the beginning of the third section. Spears returns to the stage wearing a golden outfit and performs an Egyptian-inspired version of "Gimme More", containing a barge and fireworks. In her next number "(Drop Dead) Beautiful" Spears is surrounded by her dancers carrying picture frames, and includes an appearance by Sabi in select cities. She then sings "He About to Lose Me" on a purple couch while her male dancers climb metallic structures. She wears a golden cape for a snake charming number of "Boys" (The Co-Ed Remix). After climbing into a swing, she starts singing "Don't Let Me Be the Last to Know", while an acrobat hangs from it.Another video interlude follows, featuring Spears changing clothes and choosing between different passports inside a hotel room. The final segment features Spears and her dancers dressed in motorcycle gear to perform a medley of "...Baby One More Time" and "S&M", while her next number "Trouble for Me" features Spears and her dancers performing in the B-stage. Accompanied by her female dancers, Spears performs "I'm a Slave 4 U" with gay soft porn in the backdrops, and subsequently a cover ofMadonna's "Burning Up" on top of a giant silver guitar.She then brings several fans onstage for a performance of "I Wanna Go". She sings "Womanizer" with her dancers dressed as policemen and thanks the audience.The encore starts with a video interlude in which Spears finally captures the stalker while wearing a kimono. She reappears to perform amartial arts-inspired version of "Toxic", in which she defeats a group of ninjas. At the end of the song, she goes below the stage and returns wearing a black sparkly bodysuit for "Till the World Ends". Halfway through the performance, Nicki Minaj appears on the backdrops rapping her verse of The Femme Fatale Remix of the song. She also joined Spears to perform the verse in select cities. After the song changes back to the original version, Spears starts flying in a platform with giant angel wings. The show ends with Spears and her dancers thanking the audience, as confetti falls and the "Femme Fatale" sign is lowered onstage.

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Barry Walters from Rolling Stone called the show "possibly her flashiest, fastest moving, and most entertaining production yet", and added that the night belonged to Spears, as "she managed to prove that she's still progressing as a showgirl. Not only that, she's doing it better than even diehard defenders would’ve predicted. At 29, the pop star whose career seemed in danger of ending just a couple years ago has shown that she's back â€“ hopefully this time to stay." Evelyn McDonnell of Spin said that "the idol America loves to hate went all out. Her body perpetually moved, she sang steadfastly into her headset (okay, she's got plenty of digital support, but she doesn't merely lip-sync), and she shimmied through an endless parade of outfits. [...] Having been knocked down by the tabloid press and the public repeatedly in recent years, Spears is now desperately seeking our attention. And she earns it. Haters go home."Kelley L. Carter of MTV commented that "the Spears that captivated the audience at the Staples Center [...] was the old, fun-loving, free-wheeling Spears â€” with a sexy, showgirl twist. There wasn't much pretense, though those glamazon outfits blinded in the best way possible. Instead, there was just good dance music." Carla Meyer of The Sacramento Bee stated that "Though Spears performed like a pro throughout the show, hitting all her marks, she had shown hesitancy in her movements â€” natural for the first stop on a tour. But that hesitancy vanished when she put on the denim. She seemed at ease."

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Shaunna Murphy of Entertainment Weekly criticized "Britney's complete lack of verbal audience interaction [...] and her obviously diminished dancing ability" but also added that "with her slim waist, her dangerously toned legs, and most importantly her engaged, wide-eyed smile, [spears] looked happy to be there with us—the crucial element that has been missing from so many Britney shows of late." August Brown of the Los Angeles Times stated that "the Femme Fatale tour gets its drama by largely erasing â€” or at least tweaking â€” the past. [...] Spears manipulates pop’s virgin-whore complex better than just about anyone, and her seamless sweep from lasciviously grinding on an awestruck dude from the audience to the earnest balladry of 'Don’t Let Me Be the Last to Know' [...] felt true to the sweep of her career â€” she learned that she can control the narrative by vanishing into a club's heat or into literal thin air." Matt Kivel of Variety commented, "Though visually impressive, the show lacked a truly engaging human quality. Spears moved with an almost mechanical detachment, lightly shifting through dance routines without fully letting her body release itself. With her voice heavily processed and laden with backing tracks, she appeared onstage as some strange blend of Michael JacksonMadonna and Kraftwerk's Ralf and Florian." However, Jam! Canoeconsidered the show "best described as Janet Jackson-like."

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Steve Palopoli of Metro Silicon Valley said, "Musically, the show is heavy on the hits, although considering Britney as a musical phenomenon is like asking which of Madonna's albums is best. She's a cultural phenomenon, obviously, and the only edicts that seem to have been handed down in regards to the music is 'no lip-synching' (she definitely doesn't) and 'bigger and louder whenever possible.'" Shirley Halperin of The Hollywood Reporter stated it was "entertaining", but Spears "doesn’t quite have that spring in her dance step anymore and who requires a constant barrage of visual distractions while she mostly lip-synchs along to her hits". Jim Harrington of the Oakland Tribune deemed the show as "a mess pretty much from start to finish. The theatrics are awkward and confusing, the dance routines are numbingly bland and old-hat, the song selection is weak and misguided, and Britney's star power, so blinding on tours past, is remarkably dim." Alexis Petridis of The Guardian gave the show two stars out of five, saying that "there's a suspicion that the kind of person who goes to see Britney Spears live isn't really there for the music or her sparkling personality: tonight she seems as dead-eyed and distant as ever. What they're interested in is proximity to a global celebrity." Neil McCormick of The Daily Telegraph gave the show one star out of five, and called it "the saddest, laziest, dullest and most tawdry pop concert I have ever witnessed." He added that "the most amazing thing about the whole second-rate spectacle was that thousands of people, having forked out around £50 a head for tickets, practically raised the roof, cheering every dismal dance move, roaring for lip-synched vocals and lustily applauding limp erotica."

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Live Nation announced in early May 2011 a partnership with deal-of-the-day website Groupon. A spokesperson explained, "Offering a deal on Groupon is not a reflection of the quality or status or sales of a show" but rather "segmented marketing and a way to reach new and additional consumers." A staff editor for VH1 noted that as of June 16, 2011, 18,000 tickets were sold at discounted prices through Groupon for fifteen of the first twenty-four dates of the tour, including 1,800 at opening night inSacramento. The Groupon deals for shows in SeattleWinnipegSaint Paul, and Atlanta actually expired before all available discounted tickets were sold. The editor also stated that "the shows look to be under-attended in smaller cities, even as, in metropolitan areas like Greater New York City, new shows have been added. It remains to be seen whether this could have been remedied by better price optimization, or whether the tour’s ambition was more outsized than its actual draw." The Femme Fatale Tour was ranked at number fifty-five by Pollstar on the Top 100 North American Tours list, grossing $6.2 million in the first ten shows. On July 22, 2011, the shows in Atlanta and Nashvilleranked Spears at number ten on Billboard's Hot Tours list, with a combined gross of $1,563,934. On September 22, 2011, the tour was ranked at number six on the Top 20 Concert Tours list from Pollstar. It had an average gross of $940,165 per city, and an average ticket price of $84.19 during the shows in North America.

Groupon and Travelzoo offered discounted tickets for the shows in LondonManchester and Birmingham. Renee Freling from Travelzoo explained that "promoters are thinking, instead of shows being 90% sold out, they'd rather have it full and promote it to a wider audience." 238 tickets were sold through Groupon within minutes of the offer, and 5,000 tickets were sold for the UK shows by the time the offer expired. The move divided opinions in the music industry of the United Kingdom: festival organizer Melvin Benn said that discounted tickets work "particularly well for an awful lot of concerts. It's definitely emerging. In tough economic times people will look at varying ways of pricing their tickets." Independent promoter John Rostrum called it "very short-term" and "incredibly damaging for shows because in the future when a show goes on sale people will sit back and go, 'I won't buy until the week before'". The October 30, 2011 concert in Birmingham was her first in the English Midlands since The Onyx Hotel Tour in 2004. A week before the show, the venue's box office told the Leicester Mercury that the concert was "probably about half-full. There's good availability".

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In December 2011, the Femme Fatale Tour was number 19 on Billboard's Top 25 Tours of 2011. The magazine counted for 39 of the tour's dates (14 of which were sold out) with an overall gross of $37.1 million and 396,000 tickets sold. In the North America, the tour was the fourteenth highest-grossing tour 2011, with $38.3 million in ticket sales and 423,017 people attending at an average of 9,196 per show.Worldwide, the Femme Fatale Tour was the eleventh highest-grossing tour of 2011, with a gross of $68.7 million. 697,957 fans attended the shows worldwide, with an average attendance of 8,724, paying an average of $98.43.

 

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In July 2011, a high-quality recording of the Las Vegas show was uploaded to YouTube.[53] On July 14, 2011, the vice president of Online Anti-Piracy from the Recording Industry Association of America (RIAA), Marc McDevitt, requested a subpoena at a federal court to obtain personal details from YouTube of the user who uploaded the video, including the IP address, e-mail address and any other relevant information to identify the person. Although it is common for major music labels to send takedown requests to YouTube, it is thought to be the first time the RIAA filed legal action against the video hosting site in order to obtain the personal details of an uploader. The case was closed after a week; according to a copyright lawyer, it is most likely that the subpoena was granted by the court and that YouTube agreed to hand over the personal details that were requested. The video was removed from YouTube, but copies of the full concert can still be found on the site.

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On August 12, 2011, Spears announced through her Twitter account that the Toronto shows at the Air Canada Centre would be taped to air on the Epix television channel, and for release on DVD. Within minutes of her announcement, traffic to EPIX social sites doubled and Britney Spears became a worldwide trending topic on Twitter. The show, initially titled Britney Spears: Femme Fatale, was shot in 2D and 3D by 3ality Digital.On September 9, 2011, it was announced by the BBC that BBC Worldwide had attained distribution rights of the show outside the United States. The 2D version will be available for broadcast from Christmas Eve 2011, with the 3D version available in February 2012.The special premiered on November 12, 2011 at 20:00 EST (01:00 UTC).It received mixed reviews from critics: some praised the special and the impressive stage, while others criticized Spears' dancing.The DVD and Blu-ray were released in the United States on November 21, 2011.The DVD was released in the United Kingdom on November 28, 2011. During the concert in LimaPeru, the song "I Wanna Go" was professionally filmed by Coca-Cola as part of the competition "Dance with Britney Spears." 

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Opening acts

Nicki Minaj (North America) (select dates)[show]

·         Jessie and the Toy Boys (North America) (select dates)

·         Nervo (North America) (select dates)

·         DJ Pauly D (North America) (select dates)

·         Joe Jonas (East Rutherford) (Europe) (select dates)

·         Destinee & Paris (North America, Europe) (select dates)

·         The Wanted (Manchester)

·         Howie Dorough (South America) (select dates)

·         Teen Angels (La Plata)

Set list

The following set list is representative of the show on June 22, 2011. It is not representative of all concerts for the duration of the tour.

1.      "Hold It Against Me"

2.      "Up n' Down"

3.      "3"

4.      "Piece of Me"

5.      "Big Fat Bass"

6.      "How I Roll"

7.      "Lace and Leather"

8.      "If U Seek Amy"

9.      "Gimme More"

10.  "(Drop Dead) Beautiful"

11.  "He About to Lose Me"

12.  "Boys"

13.  "Don't Let Me Be the Last to Know"

14.  "...Baby One More Time" / "S&M"

15.  "Trouble for Me"

16.  "I'm a Slave 4 U"

17.  "Burning Up"

18.  "I Wanna Go"

19.  "Womanizer"

Encore

20.  "Toxic"

21.  "Till the World Ends"

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Year

Title

Duration

Shows

2013–15

Britney: Piece of Me

December 27, 2013 – 2015 (North America)

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Britney: Piece of Me is the first residency by Spears. The show will run 2 years and take place in a fully reconstructed theatre at Planet Hollywood Resort & Casino in Las Vegas.

 

Buzzfeed reports on the opening nights:

http://www.buzzfeed.com/hunterschwarz/things-overheard-at-the-opening-night-of-britney-spears-las#ywr30v

 

The Show is a Hit!

http://www.usatoday.com/story/life/music/2014/02/25/britney-spears-las-vegas-residency-is-a-hit/5816503/

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After completing the Femme Fatale Tour in December 2011, rumors circulated of Spears doing a stint in Las Vegas. It was initially believed Spears would be added to the roster for The Colosseum at Caesars Palace. In February 2013, it was reported that Planet Hollywood theatre was a front runner to host the show. It was also believed the newly remodeled SLS Las Vegas, placed a venue bid as well. Local newspaper, Las Vegas Sun confirmed in May 2013, the venue was under renovations exclusively for Spears' show. The article speculated the residency would be announced in June 2013. Spears would begin rehearsals in late September, early October for the show.Spears herself hinted at the residency during her interview with Shape, in May 2013.

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She stated, "The [Vegas] performances won’t be simple—they’ll be a massive party from start to finish. And to pull this off, I have to be in top condition and running at full speed".

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The residency was confirmed on September 17, 2013, during an interview on Good Morning America.For the announcement, an elaborate stunt was staged in the desert surrounding Las Vegas (costing over $100,000 to produce). Over 1,000 Spears look-a-likes were gathered to perform a card routine, that reportedly could be seen from space. Spears arrived via helicopter and gave an interview to Good Morning America.Spears' manager, Larry Rudolph, stated the show is not comparable to previous or current Las Vegas stints. He went on to say the show will focus on Spears's new material and not rely on her back catalogue. Spears will perform 50 shows per year, in 2014 and 2015. She is reportedly earning $15 million per year.

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I STILL CAN'T GET OVER THIS THREAD!!!!!!!!!!!!!!!

OMG THANK YOU SOOOO MUCH!

 

I think that thsi is the best fully recorded concert on Youtube ^^

https://www.youtube.com/watch?v=6fFoor3EaWw

:crying2: I am soooo happy you like it - I just wanted to have all her tour information in one place - so I can go back to it all the time - you are so nice all the time - :hug:

 

Thank you for that Youtube link - adding it now :):clap:

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The show is described to be "current" and have a "club-like atmosphere" to match the vibe of the casino. The venue closed in late October 2012 to undergo a $20 million renovation with lighting, sound and stage to accommodate the show. The stage was extended, reducing the venue capacity to 4,600. The show began on December 27, 2013 (just after the release of her eighth studio album). Tickets for the show went on sale September 20, 2013, with prices ranging from $59–$179, less than the typical $99–$250 for shows at Caesars Palace. Commenting on show, Spears stated:

"We wanted the environment to be that way so people could come and have a good time and stand up and feel like they’re in the show with me. I love Vegas. The energy here is really, really good. [...] We are going to have all the works now, water, rain, everything. Every time I do a show, I like to really bring it. I love to put on a show that will really entertain fans. [...] We want the feeling that fans will be in the show with me. We’re going to have a cool set-up for them with a party vibe so they are really there with me. I’m very ready for this. I’m ready physically, mentally definitely. The show will be completely different from what everybody might be expecting. It’s the best project I’ve ever tackled. It couldn’t be more exciting.

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Posted

Baz Halpin will serve as creative and stage director for the show.Marco Morante is the costume designer. The show is planned to run 90–100 minutes, featuring 24 of Spears hits alongside song from her forthcoming album. The set will also feature a 360-degree media wall, creating the illusion similar to a planetarium. One of the sets is known to incorporate several venus flytraps and another adopts a disco theme. It will also feature 14 dancers and a four-piece band. Seating for the theatre is reduce to 4,600 specifically for the show. There will be two dance areas, table-service seating and the stage will feature a runway shaped like an inverted anchor. One of the sets is known to incorporate several venus flytraps and another adopts a disco theme. Rudolph went public stating Spears will not be miming the show. He goes on to say that Spears is undergoing vocal coaching to strengthen her voice. Adding, "There might be some numbers where she's full out dancing with a track underneath her, but there won't be any lip-syncing across the board on anything".Days after tickets went on sales, figures were reported to be dismal, as only three of the 16 shows placed on sale were sold out. Many pointed to the live vs. miming dilemma as the main issue. Spears' manager indicated Caesars Entertainment only placed ten-percent of tickets for each show on sale. He also stated VIP seating for all 16 shows were sold out within hours. The Huffington Post reported that by September 25, 70,242 out of 73,600 tickets had been sold. In December 2013, Planet Hollywood executives revealed that the residency may be extended if it proves a success.

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According to Danielle Genet of ABC News, the opening show "drew rave reviews [...] for Spears' lavish, entertaining spectacle."MTV News contributor Sophie Schillaci wrote that "Spears delivered on her signature style of larger-than-life production, blaring beats and rapid-fire dance moves, whirling through seven costume changes and even a couple of wig changes." Schillaci also commented that long-time fans would appreciate the concert as it is "more of a look backwards than forwards," and added that, while Spears may not sing completely live, "[the singer's] sweet voice shone through the backing, or we could hear her catching her breath between numbers."She concluded her review saying that "if you're looking for a powerhouse vocal performance in your Vegas entertainment, head over to The Coliseum for Celine Dion. But Britney fans will find no better show on the strip than 'Piece of Me'." Marco della Cava of USA Today praised the concert, saying that Spears' mission "to turn a cavernous 7,000-seat amphitheater into a raging nightclub" was accomplished. Cava considered it a stand-out compared to other Las Vegas residencies "because of its production values.’’

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2009

The Circus Starring Britney Spears ($135,001,619)

March 3, 2009 – May 5, 2009 (North America)

June 3, 2009 – July 26, 2009 (Europe)

August 20, 2009 – September 27, 2009 (North America)

November 6, 2009 – November 29, 2009 (Australia)

97

The Circus Starring Britney Spears was the sixth concert tour by Spears, in support of her sixth studio album, Circus. The stage was set in-the-round to resemble an actual three ring circus. A week after the tour was announced, 500,000 tickets were sold, prompting promoters to add more dates. The tour also broke attendance records in many cities, and all the North American shows were sold out. With a gross of $135,001,619, it became the fifth highest grossing tour of 2009, and the sixth highest grossing tour ever by a female artist. The show generated controversy on the Australian leg after a reporter said that a great number of fans had walked out during the performances. However, this was later denied by Spears's management and promoters.

 

Did you know: The set list that played before Britney came on was her own personal set list – it Included – Beyonce, Jay Z and Madonna.

 

Did you know: Britney wished her fans Merry Christmas in the middle of March at a DC show?

 

Did you know: Britney’s bodyguards used to push Britney on to the set from a box?

http://youtu.be/6DsB2KdSqrk

 

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Did you know: At certain times – Britney would walk to the stage amongst her dancers:

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Did you know: Britney performed You Oughta Know by Alanis Morrisette on one of her gigs:

http://youtu.be/MZZm6oHc2gA

 

Did you know:  Duffy’s I’m Scared featured in some shows?

https://www.youtube.com/watch?v=GvyAHeE8eIw

 

Did you know: London O2 Gigs included a fairground outside each show to add to the circus theme

 

Did you know: There was a professional filming of the Circus – however this is yet to be released – if it ever will..

http://youtu.be/zV6hanFh6Sw

 

http://youtu.be/UzHqR6Fvge0

 

Did you know: A fan jumped on stage to touch Britney and frightened the life out of her:

http://youtu.be/EohwQVVOcGY

 

Also this one, professional commercial ;)

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